Notendruck
Handel’s celebrated coronation anthem in score for voices & instruments : Vol I.
Händel, Georg Friedrich: Handel’s celebrated coronation anthem in score for voices & instruments : Vol I. / [Georg Friedrich Händel]. - [Partitur]. - [London?], [ca. 1780]. - 26 S.
Originaltitel: Zadok the Priest
Fehlt in Smith (1960): unvollständiger Nachdruck von Smith (1960) S. 151, Nr. 3 mit bearbeiteter Titelseite.
Das erste der vier Coronation Anthems, "Zadok the Priest" (HWV 258), liegt hier in einer separaten Ausgabe vor. Es wurde offenbar ein Teil der Druckplatten der Ausgabe von Randall von 1769 verwendet. Auf der Titelseite wurde Rahmen, Imprint und das "S" von "ANTHEMS" entfernt. Die Bezeichnung "Vol. 1" auf der Titelseite bezieht sich nicht auf die Coronation Anthems, die in der ursprünglichen Ausgabe ja vollständig abgedruckt sind, sondern auf Händels "Anthems" im Allgemeinen.
Unten rechts auf der Titelseite findet sich eine zeitgenössische handschriftliche Preisangabe: "Price 2 [Shilling] / 6 [Pence]".
- Location
-
Stiftung Händel-Haus Halle, Halle (Saale)
- Collection
-
Musikalien- und Büchersammlung
- Inventory number
-
VIII 073 b -T
- Measurements
-
26 S.; H 32,5 cm; B 25 cm
- Material/Technique
-
Tiefdruck auf Papier
- Related object and literature
-
Ursprüngliche Ausgabe
Smith, William C., 1960: Handel : a descriptive catalogue of the early editions, London
Wehmann, Jens, 2001: Ein früher Druck von Zadok the Priest im Händel-Haus oder wie William Randalls Druckplatten der Coronation Anthems umgearbeitet wurden, In: Händel-Hausmitteilungen (2001), H 2, S. 47-48
- Subject (what)
-
Krönung
Notenbuch
Partitur
Kirchenmusik
Coronation anthems (Händel)
- Event
-
Geistige Schöpfung
- (who)
- Event
-
Herstellung
- (where)
-
London
- (when)
-
1780
- Rights
-
Stiftung Händel-Haus Halle
- Last update
-
28.03.2025, 12:09 PM CET
Data provider
This object is provided by:
Stiftung Händel-Haus. If you have any questions about the object, please contact the data provider.
Stiftung Händel-Haus. If you have any questions about the object, please contact the data provider.
Object type
- Notendruck
Associated
Time of origin
- 1780
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A soldiers song : for two voices
A hunting song. for two voices.
The most celebrated songs in the oratorio call’d Athalia
Handel’s overtures from all his operas and oratorios
The most celebrated songs in the oratorio call’d Queen Esther to which is prefixt the overture in score
Handel's grand Dettingen Te Deum in score
Handel’s songs selected from his oratorios : for the harpsicord, voice, hoboy, or German flute ; Vol. 1
Sonatas or chamber aires for a german flute or violin & bass being the most celebrated songs and ariets collected out of the late operas
Sonatas or chamber aires for a German flute, violin or harpsicord being the most celebrated songs & ariets collected out of all the late operas
Sonatas or chamber aires for a german flute, violin or harpsicord being the most celebrated songs & ariets collected out of all the late operas
Sonatas or chamber aires for a german flute or violin and bass being the most celebrated songs and ariets collected out of the opera of Ptolomy
Handel’s Celebrated Coronation Anthems
A soldiers song : for two voices
A hunting song. for two voices.
The most celebrated songs in the oratorio call’d Athalia
Handel’s overtures from all his operas and oratorios
The most celebrated songs in the oratorio call’d Queen Esther to which is prefixt the overture in score
Handel's grand Dettingen Te Deum in score
Handel’s songs selected from his oratorios : for the harpsicord, voice, hoboy, or German flute ; Vol. 1
Sonatas or chamber aires for a german flute or violin & bass being the most celebrated songs and ariets collected out of the late operas
Sonatas or chamber aires for a German flute, violin or harpsicord being the most celebrated songs & ariets collected out of all the late operas
Sonatas or chamber aires for a german flute, violin or harpsicord being the most celebrated songs & ariets collected out of all the late operas