Exploring the World through the Eyes of Someone Else. On self-documentary practices of the smartphone
- Sprache
-
Englisch
- ISBN
-
2512-8086
- Identifier
-
1251167403
Beteiligte Personen und Organisationen
Feikens, Janou
- DOI
-
10.25969/mediarep/3691
- URN
- Rechteinformation
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Letzte Aktualisierung
-
26.01.2023, 13:54 MEZ
Beteiligte
- Feikens, Janou
Ähnliche Objekte (12)
Infinite Disco vs. Studio 2054. Toward a Film Psychology of Virtual Concerts in the COVID-19 Pandemic
Another World is Depictable! Imaginal Climate Justice and the Affective Rhetoric of Visible Futures
Aelita Comes Down to the Earth. Television Agents in Soviet Films, 1950s‒1980s
Disaster and Salvation in the Japanese Periphery. “The Rural” in Shinkai Makoto’s Kimi no na wa (Your Name)
Badging the Teacher. An Experimental Study about Gamification Effects on a Sharing Platform for Educational Resources
The passions of the vampire in film. An example of affectivity and cultural representation in German and Mexican cinema.
Troubled Contemporary Masculinities in THE HUNGER GAMES
Die Konstituierung der Erinnerung. 9/11 und die Medien
Weltenübergänge in Fargo
High Definition. Das Versprechen hochaufgelöster Bildoberflächen
„I can’t feel my body anymore”. Desorientierende Momente in VR-Filmen und deren queeres Potenzial
The haptic image revisited: Zu den ungenutzen Potenzialen eines vielgenutzten Konzeptes
Infinite Disco vs. Studio 2054. Toward a Film Psychology of Virtual Concerts in the COVID-19 Pandemic
Another World is Depictable! Imaginal Climate Justice and the Affective Rhetoric of Visible Futures
Aelita Comes Down to the Earth. Television Agents in Soviet Films, 1950s‒1980s
Disaster and Salvation in the Japanese Periphery. “The Rural” in Shinkai Makoto’s Kimi no na wa (Your Name)
Badging the Teacher. An Experimental Study about Gamification Effects on a Sharing Platform for Educational Resources
The passions of the vampire in film. An example of affectivity and cultural representation in German and Mexican cinema.
Troubled Contemporary Masculinities in THE HUNGER GAMES
Die Konstituierung der Erinnerung. 9/11 und die Medien
Weltenübergänge in Fargo
High Definition. Das Versprechen hochaufgelöster Bildoberflächen
„I can’t feel my body anymore”. Desorientierende Momente in VR-Filmen und deren queeres Potenzial
The haptic image revisited: Zu den ungenutzen Potenzialen eines vielgenutzten Konzeptes
Infinite Disco vs. Studio 2054. Toward a Film Psychology of Virtual Concerts in the COVID-19 Pandemic
Another World is Depictable! Imaginal Climate Justice and the Affective Rhetoric of Visible Futures
Aelita Comes Down to the Earth. Television Agents in Soviet Films, 1950s‒1980s
Disaster and Salvation in the Japanese Periphery. “The Rural” in Shinkai Makoto’s Kimi no na wa (Your Name)
Badging the Teacher. An Experimental Study about Gamification Effects on a Sharing Platform for Educational Resources
The passions of the vampire in film. An example of affectivity and cultural representation in German and Mexican cinema.
Troubled Contemporary Masculinities in THE HUNGER GAMES
Die Konstituierung der Erinnerung. 9/11 und die Medien
Weltenübergänge in Fargo
High Definition. Das Versprechen hochaufgelöster Bildoberflächen
„I can’t feel my body anymore”. Desorientierende Momente in VR-Filmen und deren queeres Potenzial