Konferenzbeitrag

»Frau Klara Schumann der besten Sängerin.«

It is well known that Clara Schumann was educated by her father Friedrich Wieck who published his pedagogical essay Clavier und Gesang in 1853. What is less known is that Clara Schumann was not only trained as a pianist, but also as a singer. Furthermore, she had a deep affinity to singers throughout her life. Her own singing competence, her singendes Spiel and the dialogue between Clavier und Gesang – piano and song – which characterized her programme, is also reflected in the piano arrangements of Clara Schumann’s songs.

Related object and literature
10.25366/2020.78
urn:nbn:de:bsz:14-qucosa2-726312
qucosa:72631

Subject
Musik
Klavier und Gesang
Gesangsunterricht
Johann Aloys Miksch
Liedbegleitung
singendes Spiel
Liedbearbeitungen für Klavier solo
Amalie Joachim
Julius Stockhausen

Event
Geistige Schöpfung
(who)
Borchard, Beatrix
Event
Herstellung
(who)
Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

URN
urn:nbn:de:bsz:14-qucosa2-726423
Last update
14.03.2025, 8:16 AM CET

Data provider

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Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden. If you have any questions about the object, please contact the data provider.

Object type

  • Konferenzbeitrag

Associated

  • Borchard, Beatrix
  • Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

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