Konferenzbeitrag

Liedbegleitung und künstlerische Identität. Zur Zusammenarbeit Clara Schumanns mit Julius Stockhausen

Clara Schumann’s impact on the history of piano playing and the development of 19th century concert life can hardly be denied. But understanding her pianistic career in terms of the work of a modern soloist covers the fact that she actually spent a large amount of time on stage not alone but performing together with colleagues. Taking a closer look at Clara Schumann’s collaboration with the baritone Julius Stockhausen, this article provides special insight into this field of her professional life: In addition to uncovering the contexts of collective concert programming and its reception it sheds light on the evolution of the Lied accompanist’s artistic identity in general and Clara Schumann’s specific ideal of communicating through musical performance.

Related object and literature
10.25366/2020.78
urn:nbn:de:bsz:14-qucosa2-726312
qucosa:72631

Subject
Musik
Clara Schumann
Julius Stockhausen
Liedbegleitung
Aufführungspraxis/Interpretation

Event
Geistige Schöpfung
(who)
Günther, Martin
Event
Herstellung
(who)
Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

URN
urn:nbn:de:bsz:14-qucosa2-726461
Last update
14.03.2025, 8:15 AM CET

Data provider

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Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden. If you have any questions about the object, please contact the data provider.

Object type

  • Konferenzbeitrag

Associated

  • Günther, Martin
  • Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

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