Werk
Either/Or In Chinatown
Voyeurismus, Tagebuch, Ästhetik, Kultur, China, Liebe, Søren Kierkegaard, Verführung
For me it is clear that the images are something other than reality. They are indices of reality. The frame is selected and edited, and you can talk about these things as though they are reality, but it is not the same. This is a problem and a part of the nature of seduction in “Either/Or in Chinatown”.
Further l used a woman as the object of desire. But there is also the seduction of culture — l was se-duced by the Chinese culture.
- Standort
-
Stiftung imai
- Inventarnummer
-
IMAI.W.193
- Maße
-
Dauer: 00:37:20
- Material/Technik
-
1-Kanal Video
- Klassifikation
-
Werk (Sachgruppe)
- Weitere Objektseiten
- Geliefert über
- Letzte Aktualisierung
-
05.03.2025, 16:20 MEZ
Datenpartner
Dieses Objekt wird bereitgestellt von:
Stiftung imai. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Stiftung imai. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Objekttyp
- Werk
Beteiligte
Entstanden
- 1984
Ähnliche Objekte (12)
First Person Or Whatever
Frame, Or The Fortune's Wheel
Aura Dies Hard (Or: How I Learned to Stop Worrying and Love the Copy)
In Shadow City
Lost In Cudoihy
Stranded in Malta
Keep In View
In der Tat
Morgentoilette in Toulouse
Ghost in The Machine
See In The Light
Alice In The Kitchen
First Person Or Whatever
Frame, Or The Fortune's Wheel
Aura Dies Hard (Or: How I Learned to Stop Worrying and Love the Copy)
In Shadow City
Lost In Cudoihy
Stranded in Malta
Keep In View
In der Tat
Morgentoilette in Toulouse
Ghost in The Machine
See In The Light
Alice In The Kitchen
First Person Or Whatever
Frame, Or The Fortune's Wheel
Aura Dies Hard (Or: How I Learned to Stop Worrying and Love the Copy)
In Shadow City
Lost In Cudoihy
Stranded in Malta
Keep In View
In der Tat
Morgentoilette in Toulouse
Ghost in The Machine
See In The Light