Either/Or In Chinatown

Werk

Voyeurismus, Tagebuch, Ästhetik, Kultur, China, Liebe, Søren Kierkegaard, Verführung
For me it is clear that the images are something other than reality. They are indices of reality. The frame is selected and edited, and you can talk about these things as though they are reality, but it is not the same. This is a problem and a part of the nature of seduction in “Either/Or in Chinatown”.
Further l used a woman as the object of desire. But there is also the seduction of culture — l was se-duced by the Chinese culture.

Object Details

• Location: Stiftung imai
• Inventory number: IMAI.W.193
• Measurements: Dauer: 00:37:20
• Material/Technique: 1-Kanal Video

Classification and Topics

• Classification: Werk (Sachgruppe)

Contributors, Places and Time

• Event: Herstellung
• (who): Künstler*in: Gábor Bódy (1946 - 1985)
• (where): CAN
• (when): 1984

Further information

• Other object pages: Show object in "Archivportal-D"
• Delivered via: Digitales Kunst- und Kulturarchiv Düsseldorf - Kulturamt der Landeshauptstadt Düsseldorf
• Last update: 05.03.2025, 4:20 PM CET