The Theory Of Agreeable Sensations : In Which The Laws observed by Nature in the Distribution of Pleasure are investigated; and the Principles of Natural Theology and Moral Philosophy are established. Including likewise, relative to the same Subject, A Dissertation Upon Harmony Of Style
- Alternative title
-
Théorie des sentimens agréables
- Location
-
München, Bayerische Staatsbibliothek -- Ph.sp. 165 i
- VD18
-
VD18 11192496
- Dimensions
-
8
- Extent
-
X, 165 S.
- Language
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Englisch
- Notes
-
Verf. ermittelt in: Archives Biographiques Françaises (ABF)
Vorlageform des Erscheinungsvermerks: Basil: Printed and sold by J. J. Tourneisen. MDCCXCIV.
- Event
-
Veröffentlichung
- (where)
-
Basil
- (who)
-
Tourneisen
- (when)
-
1794
- Creator
- URN
-
urn:nbn:de:bvb:12-bsb10042936-0
- Last update
-
16.04.2025, 8:41 AM CEST
Data provider
This object is provided by:
Bayerische Staatsbibliothek. If you have any questions about the object, please contact the data provider.
Bayerische Staatsbibliothek. If you have any questions about the object, please contact the data provider.
Associated
- Lévesque de Pouilly, Louis Jean
- Tourneisen
Time of origin
- 1794
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The Theory Of Agreeable Sensations : In Which The Laws observed by Nature in the Distribution of Pleasure are investigated; and the Principles of Natural Theology and Moral Philosophy are established. Including likewise, relative to the same Subject, A Dissertation Upon Harmony Of Style
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The harmony of the church
The Theory Of Agreeable Sensations : In Which The Laws observed by Nature in the Distribution of Pleasure are investigated; and the Principles of Natural Theology and Moral Philosophy are established. Including likewise, relative to the same Subject, A Dissertation Upon Harmony Of Style
The harmony of grounding
Contributions to the analysis of the sensations
The harmony of conflict : the Aristotelian foundation of politics
The Poor are the Treasure of the Church
The harmony of colours (Mrs. Merrifield)
A harmony of the essays : Etc.
Hymn to the Powen of Harmony
Are microplastics the ‘technofossils’ of the Anthropocene?
Semantics of sensations in the language of mass media