Face and mask : a double history

This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks--hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, "Face and Mask" takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.

Alternative title
Faces
Location
Deutsche Nationalbibliothek Frankfurt am Main
ISBN
9780691162355
0691162352
Dimensions
25 cm
Extent
270 Seiten
Language
Englisch
Notes
Illustrationen

Keyword
Geschichte
Face.
Face in art.
Face--Psychological aspects.
Facial expression.
Facial expression in art.
Masks.
Masks--Psychological aspects.
Gesicht
Maske
Bildnis
Kunst
Kultur

Event
Veröffentlichung
(where)
Princeton
(who)
Princeton University Press
(when)
2017
Creator
Contributor

Table of contents
Rights
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Last update
11.06.2025, 2:04 PM CEST

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Associated

Time of origin

  • 2017

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