- Standort
-
Deutsche Nationalbibliothek Frankfurt am Main
- Umfang
-
Online-Ressource
- Sprache
-
Mehrere Sprachen
- Anmerkungen
-
In: Groschner, Gabriele (Hrsg.): Rembrandt - unter der Farbe : Residenzgalerie Salzburg, 13.11.2016 - 26.06.2017. Salzburg 2016, pp. 55-71
- Klassifikation
-
Malerei
- Schlagwort
-
Rembrandt
Helldunkelmalerei
Geschichte 1620-1630
- Ereignis
-
Veröffentlichung
- (wo)
-
Heidelberg
- (wer)
-
arthistoricum.net
- (wann)
-
2018
- Urheber
- DOI
-
10.11588/artdok.00005766
- URN
-
urn:nbn:de:bsz:16-artdok-57663
- Rechteinformation
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Letzte Aktualisierung
-
14.08.2025, 10:44 MESZ
Datenpartner
Dieses Objekt wird bereitgestellt von:
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Beteiligte
- Groschner, Gabriele
- arthistoricum.net
Entstanden
- 2018
Ähnliche Objekte (12)
The experimental aesthetics of style
The Salvator mundi – late Gothic style painting on canvas from the Wawel cathedral. Comments on iconography and style
From the history of Baroque-style suicides
Untote Kunstrichter: In diesem Style sollt ihr bauen!
Changing times, changing styles: Wilhelm Worringer and the art of his epoch
Northern Gothic, Italian Renaissance and beyond. Toward a "thick" description of style
Performance and image cycles : how the Middle Ages use the 'Popular Style'
Costume style and Leonardo’s knots in the "Lady with an ermine"
Claire Farago, ed. Leonardo and the ethics of style, Manchester and New York 2008 - [Rezension]
Alexandre Ubeleski (Ubelesqui): the œuvre of the painter and the definition of his style
A Venetian in Chigi’s Court: Sebastiano del Piombo and the poetry of styles
A Paragone of Styles. The Mannerist challenge to Raphael and Michelangelo at the court of Francis I
The experimental aesthetics of style
The Salvator mundi – late Gothic style painting on canvas from the Wawel cathedral. Comments on iconography and style
From the history of Baroque-style suicides
Untote Kunstrichter: In diesem Style sollt ihr bauen!
Changing times, changing styles: Wilhelm Worringer and the art of his epoch
Northern Gothic, Italian Renaissance and beyond. Toward a "thick" description of style
Performance and image cycles : how the Middle Ages use the 'Popular Style'
Costume style and Leonardo’s knots in the "Lady with an ermine"
Claire Farago, ed. Leonardo and the ethics of style, Manchester and New York 2008 - [Rezension]
Alexandre Ubeleski (Ubelesqui): the œuvre of the painter and the definition of his style
A Venetian in Chigi’s Court: Sebastiano del Piombo and the poetry of styles
A Paragone of Styles. The Mannerist challenge to Raphael and Michelangelo at the court of Francis I
The experimental aesthetics of style
The Salvator mundi – late Gothic style painting on canvas from the Wawel cathedral. Comments on iconography and style
From the history of Baroque-style suicides
Untote Kunstrichter: In diesem Style sollt ihr bauen!
Changing times, changing styles: Wilhelm Worringer and the art of his epoch
Northern Gothic, Italian Renaissance and beyond. Toward a "thick" description of style
Performance and image cycles : how the Middle Ages use the 'Popular Style'
Costume style and Leonardo’s knots in the "Lady with an ermine"
Claire Farago, ed. Leonardo and the ethics of style, Manchester and New York 2008 - [Rezension]
Alexandre Ubeleski (Ubelesqui): the œuvre of the painter and the definition of his style
A Venetian in Chigi’s Court: Sebastiano del Piombo and the poetry of styles