Monografie
Vom "pictoresque of sound" zur "convergence culture": das Spektrum des Musikvideos
- Language
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Deutsch
- Identifier
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1216421250
- Series
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Schriften von Henry Keazor; 84
Subject
Video; Musique spéctrale; Kinetophon; Klassische Musik; Musikvideo
Contributor
- DOI
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10.11588/artdok.00005875
- URN
- Rights
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Last update
-
26.01.2023, 1:57 PM CET
Object type
- Monografie
Other Objects (12)
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Projection rooms: film as an immersive medium in the architecture of Jean Nouvel
Esprit cartesien? Issues concerning the influence of Descartes on the works of Nicolas Poussin
Versachlichung und Stasis als Zeichen der Kontrolle in Fritz Langs M (1931)
Six degrees of separation. The foax as more
Poussin in perspective. The Louvre retrospective 1960 above and beyond
"I had the strangest week ever!" Metalepsis in music videos
" (...) a total rip-off of Kubrick's movie"? Die Rezeption von 2001 – A Space Odyssey im Musikvideo
"The stuff you may have missed". Art, film and metareference in The Simpsons
"Up and Atom!" Superheroes in The Simpsons
"La douleur échauffée par la colère" : Poussin ed il Laocoonte
"L'architecture n'est pas un art rigoureux" : Jean Nouvel, Postmodernism and meta-architecture
"Uno studio dipendente dall'antico e da Rafaelle" : Raphaël chez Poussin
Projection rooms: film as an immersive medium in the architecture of Jean Nouvel
Esprit cartesien? Issues concerning the influence of Descartes on the works of Nicolas Poussin
Versachlichung und Stasis als Zeichen der Kontrolle in Fritz Langs M (1931)
Six degrees of separation. The foax as more
Poussin in perspective. The Louvre retrospective 1960 above and beyond
"I had the strangest week ever!" Metalepsis in music videos
" (...) a total rip-off of Kubrick's movie"? Die Rezeption von 2001 – A Space Odyssey im Musikvideo
"The stuff you may have missed". Art, film and metareference in The Simpsons
"Up and Atom!" Superheroes in The Simpsons
"La douleur échauffée par la colère" : Poussin ed il Laocoonte
"L'architecture n'est pas un art rigoureux" : Jean Nouvel, Postmodernism and meta-architecture
"Uno studio dipendente dall'antico e da Rafaelle" : Raphaël chez Poussin
Projection rooms: film as an immersive medium in the architecture of Jean Nouvel
Esprit cartesien? Issues concerning the influence of Descartes on the works of Nicolas Poussin
Versachlichung und Stasis als Zeichen der Kontrolle in Fritz Langs M (1931)
Six degrees of separation. The foax as more