Journal article | Zeitschriftenartikel

The New Visual Testimonial: Narrative, Authenticity, and Subjectivity in Emerging Commercial Photographic Practice

By studying the cultural and aesthetic impact of increasingly pervasive digital technologies and mass amateurization, this paper examines the ramifications of the networked information economy on professional photographic practice and considers the concomitant implications for the photographic classroom. Using the framework of convergence culture as per the writings of Yochai Benkler, Henry Jenkins, Mark Deuze, and Axel Bruns, the impact of accessible and instantaneous image creation and dispersal are explored. Given the rise of consumer engagement in brand co-creation on social media platforms, we can observe massive changes to professional practice in areas such as aesthetics, and the erosion of previous sustainable business models. Indeed, as traditional notions of “expertise” shift from technological prowess to narrative and disseminative abilities, the effects on commercial practice and photographic education need to be addressed. This paper argues that there are three emerging priorities for commercial image use: narrative ability, authenticity, and subjectivity and suggests initial steps in their pedagogical application. By acknowledging these transformations, this paper explores the idea that students need to harness technique, social media influence, adaptability, subjectivity, and storytelling power in order to better serve emerging image-based needs in commercial spaces.

The New Visual Testimonial: Narrative, Authenticity, and Subjectivity in Emerging Commercial Photographic Practice

Urheber*in: Morton, Heather

Attribution 4.0 International

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ISSN
2183-2439
Extent
Seite(n): 11-20
Language
Englisch
Notes
Status: Veröffentlichungsversion; begutachtet (peer reviewed)

Bibliographic citation
Media and Communication, 5(2)

Subject
Publizistische Medien, Journalismus,Verlagswesen
Wirtschaft
Philosophie
interaktive, elektronische Medien
Marketing
sonstige Geisteswissenschaften
Soziale Medien
Werbung
Marke
Fotografie
Amateur
Verbraucher
Marketing
Ästhetik
Authentizität
Subjektivität

Event
Geistige Schöpfung
(who)
Morton, Heather
Event
Veröffentlichung
(when)
2017

DOI
Rights
GESIS - Leibniz-Institut für Sozialwissenschaften. Bibliothek Köln
Last update
21.06.2024, 4:27 PM CEST

Data provider

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Object type

  • Zeitschriftenartikel

Associated

  • Morton, Heather

Time of origin

  • 2017

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