Monografie
Re-writing Dante after Freud and the Shoah : Giorgio Pressburger's "Nel regno oscuro"
- Sprache
-
Englisch
- Identifier
-
1200210417
Thema
Dante Alighieri; Divina Commedia; Rezeption; Pressburger, Giorgio; Psychoanalyse ; Unbewusstes ; Judenvernichtung ; Geschichte
Beteiligte Personen und Organisationen
- URN
- Rechteinformation
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Letzte Aktualisierung
-
26.01.2023, 13:52 MEZ
Objekttyp
- Monografie
Ähnliche Objekte (12)
Wives and lovers in Dante and Eugenio Montale
Kontrafakturen : Arno Schmidts Göttliche Komödien
Weathering the afterlife : the meteorological psychology of Dante's "Commedia"
From Giorgio Agamben's Italian category of 'Comedy' to 'Profanation' as the political task of modernity : Ingravallo's soaring descent, or Dante according to Carlo Emilio Gadda
'Perché mi vinse il lume d'esta stella' : Giovanni Giudici's rewriting of Dante's "Paradiso" for the theatre
'Anzichè allargare, dilaterai!' : allegory and mimesis from Dante's "Comedy" to Pier Paolo Pasolini's "La Divina Mimesis"
Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
'Misi me per l'alto mare aperto' : personality and impersonality in Virginia Woolf's reading of Dante's allegorical language
Dante's 'Strangeness' : the "Commedia" and the late twentieth-century debate on the literary canon
Reclaiming "Paradiso" : Dante in the poetry of James Merrill and Charles Wright
Dante as a gay poet
Das letzte Bild. Welt-Ende und Werk-Ende bei Giotto und Dante
Wives and lovers in Dante and Eugenio Montale
Kontrafakturen : Arno Schmidts Göttliche Komödien
Weathering the afterlife : the meteorological psychology of Dante's "Commedia"
From Giorgio Agamben's Italian category of 'Comedy' to 'Profanation' as the political task of modernity : Ingravallo's soaring descent, or Dante according to Carlo Emilio Gadda
'Perché mi vinse il lume d'esta stella' : Giovanni Giudici's rewriting of Dante's "Paradiso" for the theatre
'Anzichè allargare, dilaterai!' : allegory and mimesis from Dante's "Comedy" to Pier Paolo Pasolini's "La Divina Mimesis"
Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
'Misi me per l'alto mare aperto' : personality and impersonality in Virginia Woolf's reading of Dante's allegorical language
Dante's 'Strangeness' : the "Commedia" and the late twentieth-century debate on the literary canon
Reclaiming "Paradiso" : Dante in the poetry of James Merrill and Charles Wright
Dante as a gay poet
Das letzte Bild. Welt-Ende und Werk-Ende bei Giotto und Dante
Wives and lovers in Dante and Eugenio Montale
Kontrafakturen : Arno Schmidts Göttliche Komödien
Weathering the afterlife : the meteorological psychology of Dante's "Commedia"
From Giorgio Agamben's Italian category of 'Comedy' to 'Profanation' as the political task of modernity : Ingravallo's soaring descent, or Dante according to Carlo Emilio Gadda
'Perché mi vinse il lume d'esta stella' : Giovanni Giudici's rewriting of Dante's "Paradiso" for the theatre
'Anzichè allargare, dilaterai!' : allegory and mimesis from Dante's "Comedy" to Pier Paolo Pasolini's "La Divina Mimesis"
Dante's "Inferno" and Walter Benjamin's cities : considerations of place, experience, and media
'Misi me per l'alto mare aperto' : personality and impersonality in Virginia Woolf's reading of Dante's allegorical language
Dante's 'Strangeness' : the "Commedia" and the late twentieth-century debate on the literary canon
Reclaiming "Paradiso" : Dante in the poetry of James Merrill and Charles Wright
Dante as a gay poet