Spatial speech-in-noise performance in bimodal and single-sided deaf cochlear implant users

Abstract: This study compared spatial speech-in-noise performance in two cochlear implant (CI) patient groups: bimodal listeners, who
use a hearing aid contralaterally to support their impaired acoustic hearing, and listeners with contralateral normal hearing,
i.e., who were single-sided deaf before implantation. Using a laboratory setting that controls for head movements and that
simulates spatial acoustic scenes, speech reception thresholds were measured for frontal speech-in-stationary noise from the
front, the left, or the right side. Spatial release from masking (SRM) was then extracted from speech reception thresholds for
monaural and binaural listening. SRM was found to be significantly lower in bimodal CI than in CI single-sided deaf listeners.
Within each listener group, the SRM extracted from monaural listening did not differ from the SRM extracted from binaural
listening. In contrast, a normal-hearing control group showed a significant improvement in SRM when using two ears in
comparison to one. Neither CI group showed a binaural summation effect; that is, their performance was not improved by using two devices instead of the best monaural device in each spatial scenario. The results confirm a ‘‘listening with the better ear’’ strategy in the two CI patient groups, where patients benefited from using two ears/devices instead of one by selectively attending to the better one. Which one is the better ear, however, depends on the spatial scenario and on the individual configuration of hearing loss

Location
Deutsche Nationalbibliothek Frankfurt am Main
Extent
Online-Ressource
Language
Englisch
Notes
Trends in hearing. - 23 (2019) , 1-16, ISSN: 2331-2165

Event
Veröffentlichung
(where)
Freiburg
(who)
Universität
(when)
2020
Creator

DOI
10.1177/2331216519858311
URN
urn:nbn:de:bsz:25-freidok-1519594
Rights
Der Zugriff auf das Objekt ist unbeschränkt möglich.
Last update
25.03.2025, 1:48 PM CET

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Associated

Time of origin

  • 2020

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