Cross-Dressing and Transgender Representation in Swedish Cinema, 1908–2017

Abstract: Today’s explosion of Swedish films made by and about transgender people is sometimes considered in a vacuum. This article explores the long history of cross-gender performance in Swedish cinema and the relationship of these new films to older traditions. In this article, I will outline the contours of cross-gender performance in Swedish films from the 1908 to today, using some exemplary films to display the variety of styles, genres, and meanings that can be found: the short dance film Dances Through the Ages (Skilda tiders danser, Walfrid Bergström, 1909); the swashbuckler Lasse-Maja (Gunnar Olsson, 1941); the romantic comedy Up With Little Märta (Fram för Lilla Märta, Hasse Ekman, 1945); the dramatic art film The Magician (Ansiktet, Ingmar Bergman, 1958); the recent romantic comedy Cockpit (Mårten Klingberg, 2012); and the trans art film Everything Falls Apart (Nånting måste gå sönder, Ester Martin Bergsmark, 2016). I will show that the two main shifts in Swedish cinema’s representation of cross-gender performance occurred in the mid-1950s and in the 1990s, due to social changes and changes in the structure of the Swedish film industry. In Swedish cinema, as elsewhere, cross-dressing has never meant any one thing, so we must attend to the specific contexts of its expression in order to understand what it meant.

Location
Deutsche Nationalbibliothek Frankfurt am Main
Extent
Online-Ressource
Language
Englisch

Bibliographic citation
Cross-Dressing and Transgender Representation in Swedish Cinema, 1908–2017 ; volume:47 ; number:2 ; year:2017 ; pages:377-397 ; extent:21
European journal of Scandinavian studies ; 47, Heft 2 (2017), 377-397 (gesamt 21)

Creator
Horak, Laura

DOI
10.1515/ejss-2017-0025
URN
urn:nbn:de:101:1-2412131742077.845912579360
Rights
Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
Last update
15.08.2025, 7:38 AM CEST

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Associated

  • Horak, Laura

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