- Location
-
Deutsche Nationalbibliothek Frankfurt am Main
- Extent
-
Online-Ressource
- Language
-
Englisch
- Notes
-
In: Changing concepts of nature at the turn of the millenium : proceedings; plenary session of the Pontifical Academy of Sciences, 26 - 29 October 1998. Vatican City 2000, pp. 251-256 (Pontificiae Academiae Scientiarum Scripta varia ; 95)
- Bibliographic citation
-
Schriften von Frank Fehrenbach ; 8
- Classification
-
Künste, Bildende Kunst allgemein
- Keyword
-
Kunst
Natur
Utopie
Wandel
Geschichte
- Event
-
Veröffentlichung
- (where)
-
Heidelberg
- (who)
-
arthistoricum.net
- (when)
-
2013
- Creator
- DOI
-
10.11588/artdok.00002282
- URN
-
urn:nbn:de:bsz:16-artdok-22820
- Rights
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Last update
-
2025-03-25T13:48:36+0100
Data provider
This object is provided by:
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.
Associated
- Fehrenbach, Frank
- arthistoricum.net
Time of origin
- 2013
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Leonardo and water. The challenge of representation
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The pathos of function: Leonardo’s technical drawings
Much ado about nothing. Leonardo’s Fight for the Standard
Compendia mundi : Gianlorenzo Berninis Fontana dei Quattro Fiumi (1648 - 51) und Nicola Salvis Fontana di Trevi (1732 - 62)
The paradox of the point
The frescoes in the Stazione Zoologica and classical ekphrasis
The unmoved mover
The cycle of images
Coming alive. Some remarks on the rise of "monochrome" sculpture in the Renaissance
The colors of monochrome sculpture
The most difficult of all. The life and death of Italian tomb sculpture c. 1280-1490
Leonardo and water. The challenge of representation
Nymph and corpuscle. Transformations of the Aqua Virgo
The pathos of function: Leonardo’s technical drawings
Much ado about nothing. Leonardo’s Fight for the Standard
Compendia mundi : Gianlorenzo Berninis Fontana dei Quattro Fiumi (1648 - 51) und Nicola Salvis Fontana di Trevi (1732 - 62)
The paradox of the point
The frescoes in the Stazione Zoologica and classical ekphrasis
The unmoved mover
The cycle of images
Coming alive. Some remarks on the rise of "monochrome" sculpture in the Renaissance
The colors of monochrome sculpture
The most difficult of all. The life and death of Italian tomb sculpture c. 1280-1490
Leonardo and water. The challenge of representation
Nymph and corpuscle. Transformations of the Aqua Virgo
The pathos of function: Leonardo’s technical drawings
Much ado about nothing. Leonardo’s Fight for the Standard