Apparatus of Absence: Anonymity from Print to Algorithms

Abstract: The paper tries to problematize the concept and contexts of digital anonymity by placing it along with literary modernity. The biopower that digital text generates has created and complicated an industry of data and surveillance of user profiles and throws the processes of textual subjectification to more visibility. Anonymity in print has been a phenomenon that was consequential of and integral to the institution of authorship. Even if authorship has been an important terrain of interest in digital studies, print authorship in all its socio-cultural specificities as a Eurocentric patriarchal construct within the field of artistic production has rarely been studied in relation to the evolving digital existence. The paper attempts to present an overview of contexts of anonymity in print and a review of existing approaches toward it in the web and to address a theoretical gap found therein. Away from the prevalent moral perceptions about anonymity, the paper presents anonymity as a l

Angaben zum Objekt

• Standort: Deutsche Nationalbibliothek Frankfurt am Main
• Umfang: Online-Ressource
• Sprache: Englisch
• Anmerkungen: Veröffentlichungsversion ; begutachtet (peer reviewed) ; In: Media Watch ; 10 (2019) 1 ; 106-121

Klassifikation und Themen

• Klassifikation: Künste, Bildende Kunst allgemein

Beteiligte, Orts- und Zeitangaben

• Ereignis: Veröffentlichung
• (wo): Mannheim
• (wer): SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V.
• (wann): 2019
• Urheber: Balakrishnan, Sreepriya

Weitere Informationen

• DOI: 10.15655/mw/2019/v10i1/49569
• URN: urn:nbn:de:101:1-2022091208251780260287
• Rechteinformation: Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
• Letzte Aktualisierung: 15.08.2025, 07:32 MESZ