Zwischen klassischer Musikphilologie und angewandter Informatik: Die Digitale Mozart-Edition (DME) der Stiftung Mozarteum Salzburg

Konferenzbeitrag

With the Digital Mozart-Edition (DME), the Salzburg Mozarteum Foundation and the Packard Humanities Institute, Los Altos (California), intend to build a bridge between music philology and informatics using the example of Wolfgang Amadé Mozart’s oeuvre. The aim of the project is to edit Mozart’s complete works as well as letters, documents and text sources according to scholarly criteria and in a fully digital format available free of charge on the internet. The core project of the DME, the Digital Interactive Mozart Edition (DIME), is conceived as a further development of the Neue Mozart-Ausgabe (NMA). Following the principle “code equals edition”, all musical texts and their critical documentation are encoded in the XML-based format by the Music Encoding Initiative (MEI). All variants and editorial interventions of the music can be made visible through The Digital Mozart Score Viewer (MoVi), a visualisation tool built around the Verovio music engraving library.

References and Relationships

• Related object and literature: 10.25366/2020.42 ; urn:nbn:de:bsz:14-qucosa2-725481 ; qucosa:72548

Classification and Topics

• Subject: Musik ; Musikphilologie ; Digital Humanities ; Kritische Ausgabe ; Kritischer Bericht ; Notenedition ; Mozart ; Libretto ; Briefe

Contributors, Places and Time

• Event: Geistige Schöpfung
• (who): Cividini, Iacopo
• Event: Herstellung
• (who): Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

Further information

• URN: urn:nbn:de:bsz:14-qucosa2-725634
• Last update: 14.03.2025, 8:16 AM CET