Transfigurations: Violence, Death and Masculinity in American Cinema

Abstract: In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs

Location
Deutsche Nationalbibliothek Frankfurt am Main
ISBN
9789089640109
Extent
Online-Ressource, 288 S.
Language
Englisch
Notes
Veröffentlichungsversion
begutachtet (peer reviewed)

Classification
Öffentliche Darbietungen, Film, Rundfunk

Event
Veröffentlichung
(where)
Amsterdam
(who)
Amsterdam Univ. Press
(when)
2008
Creator
Grønstad, Asbjørn

URN
urn:nbn:de:0168-ssoar-320563
Rights
Open Access; Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
Last update
15.08.2025, 7:32 AM CEST

Data provider

This object is provided by:
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Associated

  • Grønstad, Asbjørn
  • Amsterdam Univ. Press

Time of origin

  • 2008

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