Reconstructing antiquity in the 1770s: the decoration of Pliny the Younger's Villa Maritima in Count Stanislaus K. Potocki's vision
- Location
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Deutsche Nationalbibliothek Frankfurt am Main
- Extent
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Online-Ressource
- Language
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Englisch
- Notes
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In: Bartsch, Tatjana ; Becker, Marcus ; Bredekamp, Horst ; Schreiter, Charlotte (Hrsgg.): Das Originale der Kopie. Kopien als Produkte und Medien der Transformation von Antike. Berlin-New York 2010, pp. 223-245 (Transformationen der Antike ; 17)
- Classification
-
Architektur
- Keyword
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Potocki, Stanisław Kostka
Plinius Caecilius Secundus, Gaius
Villa Laurentina
Antike
Rezeption
- Event
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Veröffentlichung
- (where)
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Heidelberg
- (who)
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arthistoricum.net
- (when)
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2016
- Creator
- DOI
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10.11588/artdok.00004025
- URN
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urn:nbn:de:bsz:16-artdok-40254
- Rights
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Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Last update
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14.08.2025, 10:57 AM CEST
Data provider
This object is provided by:
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.
Associated
- Miziołek, Jerzy
- arthistoricum.net
Time of origin
- 2016
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Aby Warburg, "The renewal of pagan antiquity". Contribution to the cultural history of the European Renaissance. Translation by David Britt, introduction by Kurt W. Forster, Los Angeles: Getty Center for the History of Art and the Humanities, 1999. - [Rezension]
The awakening of Paris and the beauty of the Goddesses. Two Cassoni from the Lanckoroński collection
The Bishop Piotr Tomicki Chapel in the Cracow Cathedral, and its altarpiece depicting "The Adoration of the Magi"
The exhibition of books purchased by the library of the Institute of Art of the Polish Academy of Sciences with grants received from the Getty Trust and the Samuel H. Kress Foundation
The "Odyssey" cassone panels from the Lanckoroński collection: On the origins of depicting Homer's epic in the art of Italian Renaissance
"When our Sun is risen": observations on eschatological visions in the art of the first millennium. II. The mosaic in the dome of the church of Hagios Georgios in Thessalonika
The last of the Lanckorońskis as benefactors of Polish culture and learning
Transfiguratio Domini in the apse at Mount Sinai and the symbolism of light
Europa and the winged Mercury on two cassone panels from the Czartoryski Collection
The Lanckoronski collection in Poland
"When our Sun is risen": observations on eschatological visions in the art of the first millennium. I. The mosaics on the triumphal arch in S. Paolo fuori le mura in Rome
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Aby Warburg, "The renewal of pagan antiquity". Contribution to the cultural history of the European Renaissance. Translation by David Britt, introduction by Kurt W. Forster, Los Angeles: Getty Center for the History of Art and the Humanities, 1999. - [Rezension]
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The "Odyssey" cassone panels from the Lanckoroński collection: On the origins of depicting Homer's epic in the art of Italian Renaissance
"When our Sun is risen": observations on eschatological visions in the art of the first millennium. II. The mosaic in the dome of the church of Hagios Georgios in Thessalonika
The last of the Lanckorońskis as benefactors of Polish culture and learning
Transfiguratio Domini in the apse at Mount Sinai and the symbolism of light
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