Rezension

Review: Thomas S. Eberle (Ed.) (2017). Fotografie und Gesellschaft: Phänomenologische und wissenssoziologische Perspektiven

Abstract: "Photography and Society," edited by Thomas S. EBERLE contributes to the burgeoning debates about visuality and visual perception. The 25 chapters of the volume draw on Alfred SCHÜTZ's phenomenology to consider photography as a social phenomenon. They are concerned with the practice of taking and producing photographs as well as with the viewing and interpretation of photographs. Thus they deal with production and reception aesthetics. The analyses are also used to reflect on the status of photographs and their relationship to the Wirkwelt [world of working]. The book is notable for encompassing a wide range of theoretical and empirical analyses and including a large number of high-quality photographs. The inclusion of these photographs does not serve illustrative purposes but is critical to the analyses presented in the volume. I recommend "Photography and Society" to sociologists with an interest in debates about visuality and the analysis of visual perception. Some knowledge of

Alternative title
Review: Thomas S. Eberle (Ed.) (2017). Fotografie und Gesellschaft. Phänomenologische und wissenssoziologische Perspektiven [Photography and Society: Approach from Phenomenological Perspectives and the Sociology of Knowledge]
Location
Deutsche Nationalbibliothek Frankfurt am Main
Extent
Online-Ressource
Language
Deutsch
Notes
Veröffentlichungsversion
begutachtet (peer reviewed)
In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 19 (2018) 3 ; 20

Classification
Fotografie, Computerkunst

Event
Veröffentlichung
(where)
Mannheim
(when)
2018
Creator
Lehn, Dirk vom

DOI
10.17169/fqs-19.3.3144
URN
urn:nbn:de:101:1-2019052110394449670339
Rights
Open Access; Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
Last update
14.08.2025, 10:57 AM CEST

Data provider

This object is provided by:
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Object type

  • Rezension

Associated

  • Lehn, Dirk vom

Time of origin

  • 2018

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