Rezension
Mark Glancy: When Hollywood loved Britain. The Hollywood 'British' film
- Standort
-
Deutsche Nationalbibliothek Frankfurt am Main
- Umfang
-
Online-Ressource
- Sprache
-
Deutsch
- Erschienen in
-
Mark Glancy: When Hollywood loved Britain. The Hollywood 'British' film ; 2000, 2
Medienwissenschaft ; 2000, 2
- Urheber
-
Bassett, Drew
- DOI
-
10.17192/ep2000.2.2765
- URN
-
urn:nbn:de:hebis:04-ep0002-2000-80-27650
- Rechteinformation
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Letzte Aktualisierung
-
15.08.2025, 07:34 MESZ
Datenpartner
Dieses Objekt wird bereitgestellt von:
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Objekttyp
- Rezension
Beteiligte
- Bassett, Drew
Ähnliche Objekte (12)
Mark Glancy: When Hollywood loved Britain. The Hollywood 'British' film
Guy Westwell: War Cinema. Hollywood on the Front Line
Ernest Giglio: Here's Looking at You. Hollywood, Film and Politics
Christina Lane: Feminist Hollywood. From Born in Flames to Point Break
Nicole Matthews: Comic Politics. Gender in Hollywood comedy after the new right
Ulrike Weißenborn: Just Making Pictures. Hollywood Writers, The Frankfurt School and Film Theory
Rebecca A. Umland and Samuel J. Umland: The Use of Arthurian Legend in Hollywood Film. From Connecticut Yankee to Fisher Kings
Guy Westwell: War Cinema. Hollywood on the Front Line
Jacinda Read: The New Avengers. Feminism, Femininity and the Rape-Revenge Cycle
Jeremy Packer (Ed.): Secret Agents. Popular Icons Beyond James Bond
Rod Stoneman: Chavez – The Revolution will not be Televised. A Case Study of Politics and the Media
Pam Cook: Fashioning the Nation. Costume and Identity in British Cinema
Mark Glancy: When Hollywood loved Britain. The Hollywood 'British' film
Guy Westwell: War Cinema. Hollywood on the Front Line
Ernest Giglio: Here's Looking at You. Hollywood, Film and Politics
Christina Lane: Feminist Hollywood. From Born in Flames to Point Break
Nicole Matthews: Comic Politics. Gender in Hollywood comedy after the new right
Ulrike Weißenborn: Just Making Pictures. Hollywood Writers, The Frankfurt School and Film Theory
Rebecca A. Umland and Samuel J. Umland: The Use of Arthurian Legend in Hollywood Film. From Connecticut Yankee to Fisher Kings
Guy Westwell: War Cinema. Hollywood on the Front Line
Jacinda Read: The New Avengers. Feminism, Femininity and the Rape-Revenge Cycle
Jeremy Packer (Ed.): Secret Agents. Popular Icons Beyond James Bond
Rod Stoneman: Chavez – The Revolution will not be Televised. A Case Study of Politics and the Media
Pam Cook: Fashioning the Nation. Costume and Identity in British Cinema
Mark Glancy: When Hollywood loved Britain. The Hollywood 'British' film
Guy Westwell: War Cinema. Hollywood on the Front Line
Ernest Giglio: Here's Looking at You. Hollywood, Film and Politics
Christina Lane: Feminist Hollywood. From Born in Flames to Point Break
Nicole Matthews: Comic Politics. Gender in Hollywood comedy after the new right
Ulrike Weißenborn: Just Making Pictures. Hollywood Writers, The Frankfurt School and Film Theory
Rebecca A. Umland and Samuel J. Umland: The Use of Arthurian Legend in Hollywood Film. From Connecticut Yankee to Fisher Kings
Guy Westwell: War Cinema. Hollywood on the Front Line
Jacinda Read: The New Avengers. Feminism, Femininity and the Rape-Revenge Cycle
Jeremy Packer (Ed.): Secret Agents. Popular Icons Beyond James Bond
Rod Stoneman: Chavez – The Revolution will not be Televised. A Case Study of Politics and the Media