Fraturas contemporâneas de histórias indígenas em Belém: sobre mármores e grafites

Abstract: In this article, considering as a theoretical-methodological reference the discourse studies based on Michel Foucault (2004, 2005, 2007) and the definitions of colonial dispositive and ethniCity (NEVES, 2015) to understand the visual statements spread in the landscapes of Belém in the second decade of the 21st century, representing different places of enunciation about the history of the city and the indigenous peoples.I analyze the frontal of the most famous catholic church of the city and a bronze sculpture to mark the discourse of the colonization and, in contrast, I analyze graffiti of two local contemporary artists that retake the indigenous memory of Belém in their productions.In a way, update the ancient metaphor coined by Fr. Antonio Vieira, but now, as opposed to marble, not the myrtle but graffiti and its transience

Alternative title
Contemporary fractures of indigenous stories in Belém: on marbles and grafitess
Location
Deutsche Nationalbibliothek Frankfurt am Main
Extent
Online-Ressource
Language
Portugiesisch
Notes
Veröffentlichungsversion
begutachtet (peer reviewed)
In: Revista Maracanan (2020) 24 ; 544-566

Classification
Geschichte

Event
Veröffentlichung
(where)
Mannheim
(who)
SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V.
(when)
2020
Creator
Neves, Ivânia dos Santos

DOI
10.12957/revmar.2020.47606
URN
urn:nbn:de:101:1-2021092110300174156717
Rights
Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
Last update
25.03.2025, 1:54 PM CET

Data provider

This object is provided by:
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Associated

  • Neves, Ivânia dos Santos
  • SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V.

Time of origin

  • 2020

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