Introduction

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Location: Deutsche Nationalbibliothek Frankfurt am Main

Extent: Online-Ressource

Language: Englisch

Bibliographic citation: Displacing Theory Through the Global South ; 1-14

Keyword: Decolonization
Postcolonialism

Event: Veröffentlichung

(where): Berlin

(who): ICI Berlin Press

(when): 2024

Contributor: Dulley, Iracema
İşcen, Özgün Eylül
ICI Berlin

DOI: 10.37050/ci-29_01

URN: urn:nbn:de:101:1-2404161259538.759358560515

Rights: Der Zugriff auf das Objekt ist unbeschränkt möglich.

Last update: 14.08.2025, 10:54 AM CEST

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Associated

Dulley, Iracema
İşcen, Özgün Eylül
ICI Berlin
ICI Berlin Press

Time of origin

2024

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Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

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Berlin’s Killjoys : Feminist Art from the Global South

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'Submit Your References' : Introduction

Introduction

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Mulberry Affects : Cite as: Umut Yıldırım, ‘Mulberry Affects: Ecology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide’, in War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East, ed. by Umut Yıldırım, Cultural Inquiry, 27 (Berlin: ICI Berlin Press, 2023), pp. 27–66 <https://doi.org/10.37050/ci-27_2> Printed PDF EPUB Catalogue Entry Cover design: Studio Bens. Based on a paper collage by Claudia Peppel,, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Cover design: Studio Bens. Based on a paper collage by Claudia Peppel, Out of Nowhere, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Mulberry AffectsEcology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide

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War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

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Other Objects (12)

'Submit Your References' : Introduction

Introduction

Introduction

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

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'Submit Your References' : Introduction

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Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

'Submit Your References' : Introduction

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Introduction

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

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