Camera Fog; or, The Pendulum of Austerity in Contemporary Portugal

to related objects

Location: Deutsche Nationalbibliothek Frankfurt am Main

Extent: Online-Ressource

Language: Englisch

Bibliographic citation: Errans : Going Astray, Being Adrift, Coming to Nothing ; 113-140

Keyword: Austerität
Salazar, António de Oliveira
Neoliberalismus
Nebel

Event: Veröffentlichung

(where): Berlin

(who): ICI Berlin Press

(when): 2022

Creator: Abreu, Maria José de

Contributor: ICI Berlin

DOI: 10.37050/ci-24_5

URN: urn:nbn:de:101:1-2022092812030450703409

Rights: Der Zugriff auf das Objekt ist unbeschränkt möglich.

Last update: 15.08.2025, 7:39 AM CEST

Data provider

This object is provided by:
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.

Show original at data provider

Associated

Abreu, Maria José de
ICI Berlin
ICI Berlin Press

Time of origin

2022

Other Objects (12)

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Mulberry Affects : Cite as: Umut Yıldırım, ‘Mulberry Affects: Ecology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide’, in War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East, ed. by Umut Yıldırım, Cultural Inquiry, 27 (Berlin: ICI Berlin Press, 2023), pp. 27–66 <https://doi.org/10.37050/ci-27_2> Printed PDF EPUB Catalogue Entry Cover design: Studio Bens. Based on a paper collage by Claudia Peppel,, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Cover design: Studio Bens. Based on a paper collage by Claudia Peppel, Out of Nowhere, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Mulberry AffectsEcology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

Aufsatzsammlung

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

The Mother Tongue of Love and Loss : Albert Cohen’s Le Livre de ma mère

Great Sand : Grains of Occupation and Representation

‘I know you can cant’ : Slips of the Mother Tongue in Fred Moten’s B Jenkins

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Mulberry Affects : Cite as: Umut Yıldırım, ‘Mulberry Affects: Ecology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide’, in War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East, ed. by Umut Yıldırım, Cultural Inquiry, 27 (Berlin: ICI Berlin Press, 2023), pp. 27–66 <https://doi.org/10.37050/ci-27_2> Printed PDF EPUB Catalogue Entry Cover design: Studio Bens. Based on a paper collage by Claudia Peppel,, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Cover design: Studio Bens. Based on a paper collage by Claudia Peppel, Out of Nowhere, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Mulberry AffectsEcology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

Aufsatzsammlung

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

The Mother Tongue of Love and Loss : Albert Cohen’s Le Livre de ma mère

Great Sand : Grains of Occupation and Representation

‘I know you can cant’ : Slips of the Mother Tongue in Fred Moten’s B Jenkins

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Mulberry Affects : Cite as: Umut Yıldırım, ‘Mulberry Affects: Ecology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide’, in War-torn Ecologies, An-Archic Fragments: Reflections from the Middle East, ed. by Umut Yıldırım, Cultural Inquiry, 27 (Berlin: ICI Berlin Press, 2023), pp. 27–66 <https://doi.org/10.37050/ci-27_2> Printed PDF EPUB Catalogue Entry Cover design: Studio Bens. Based on a paper collage by Claudia Peppel,, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Cover design: Studio Bens. Based on a paper collage by Claudia Peppel, Out of Nowhere, paper and acrylic paint, 13.3 x 22.3 cm, 2016. Mulberry AffectsEcology, Memory, and Aesthetics on the Shores of the Tigris River in the Wake of Genocide

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

Aufsatzsammlung

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

The Mother Tongue of Love and Loss : Albert Cohen’s Le Livre de ma mère

Great Sand : Grains of Occupation and Representation

‘I know you can cant’ : Slips of the Mother Tongue in Fred Moten’s B Jenkins

Cultural heritage institutions wishing to register will find more information here.

Fields marked * need to be filled in.

Username*

Please enter your username

Email*

Please enter your email address

Please do not fill this field

First name

Last name

Password*

Please enter your password

Confirm password*

Please enter the same password

I have read the terms of use and the privacy policy for the collection of personal data and accept them. *

This field is required.

I would like to subscribe to the newsletter of the Deutsche Digitale Bibliothek. See newsletter subscription info.

Account created

Your "My DDB" account has been successfully created. Before you can log in to your account, you must click the confirmation link in the message we just sent to the email address you provided.

Camera Fog; or, The Pendulum of Austerity in Contemporary Portugal

Object Details

References and Relationships

Classification and Topics

Contributors, Places and Time

Further information

Data provider

Associated

Time of origin

Other Objects (12)

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

The Mother Tongue of Love and Loss : Albert Cohen’s Le Livre de ma mère

Great Sand : Grains of Occupation and Representation

‘I know you can cant’ : Slips of the Mother Tongue in Fred Moten’s B Jenkins

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

The Mother Tongue of Love and Loss : Albert Cohen’s Le Livre de ma mère

Great Sand : Grains of Occupation and Representation

‘I know you can cant’ : Slips of the Mother Tongue in Fred Moten’s B Jenkins

Object: This Not-a-Paper ‘on’ the Andropobscenic University

Of Goats and Bombs : How to Live (and Die) in an Explosive Landscape

Decolonialities and the Exilic Consciousness : Thinking from the Global South

Berlin’s Killjoys : Feminist Art from the Global South

‘My Mother Tongue Is a Foreign Language’ : On Edmond Jabès’s Writing in Exile

War-torn Ecologies, An-Archic Fragments : Reflections from the Middle East

Commons Museums : Pedagogies for Taking Ownership of What is Lost

Making Germany’s Hidden Yet Omnipresent Colonial Past Visible

The Mother Tongue of Love and Loss : Albert Cohen’s Le Livre de ma mère

Great Sand : Grains of Occupation and Representation

‘I know you can cant’ : Slips of the Mother Tongue in Fred Moten’s B Jenkins

Related objects

Reset password