Eine Theorie der VerBlendung als dekoloniale BeDeutungsgebungen in Gertrud Kolmars "Die jüdische Mutter" und Toni Morrisons "Beloved"
- Location
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Deutsche Nationalbibliothek Frankfurt am Main
- Extent
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Online-Ressource
- Language
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Deutsch
- Bibliographic citation
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Eine Theorie der VerBlendung als dekoloniale BeDeutungsgebungen in Gertrud Kolmars "Die jüdische Mutter" und Toni Morrisons "Beloved" ; 2023, S. 58-89
Komparatistik online ; 2023, S. 58-89
- Classification
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Literatur, Rhetorik, Literaturwissenschaft
Englische Literatur Amerikas
Englische Literatur
Deutsche Literatur
- Keyword
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Morrison, Toni
Derrida, Jacques
Verblendung
Geheimnis
Judenvernichtung
Judenvernichtung
Mutterliebe
Hellenistisch-jüdische Literatur
Literaturtheorie
Begriff
Kolmar, Gertrud
Eine jüdische Mutter
Morrison, Toni
Beloved
Verblendung
- Creator
- URN
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urn:nbn:de:hebis:30:3-824998
- Rights
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Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Last update
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14.08.2025, 10:54 AM CEST
Data provider
This object is provided by:
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.
Deutsche Nationalbibliothek. If you have any questions about the object, please contact the data provider.
Associated
Other Objects (12)
Neither white nor male : Identität in Toni Morrisons Sula und Paradise
Neither white nor male : Identität in Toni Morrisons Sula und Paradise
Unruly Narrative : Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
The story of jazz : Toni Morrison's dialogic imagination
Paradise reconsidered : Toni Morrison's (hi)stories and truths
Discredited knowledge : Magie, Mythos und Toni Morrisons "Song of Solomon"
Unruly Narrative : Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
Black looks and black acts : the language of Toni Morrison in The bluest eye and Beloved
Solomons Lied
Teerbaby
The bluest eye
Sehr blaue Augen : Roman
Neither white nor male : Identität in Toni Morrisons Sula und Paradise
Neither white nor male : Identität in Toni Morrisons Sula und Paradise
Unruly Narrative : Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
The story of jazz : Toni Morrison's dialogic imagination
Paradise reconsidered : Toni Morrison's (hi)stories and truths
Discredited knowledge : Magie, Mythos und Toni Morrisons "Song of Solomon"
Unruly Narrative : Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
Black looks and black acts : the language of Toni Morrison in The bluest eye and Beloved
Solomons Lied
Teerbaby
The bluest eye
Sehr blaue Augen : Roman
Neither white nor male : Identität in Toni Morrisons Sula und Paradise
Neither white nor male : Identität in Toni Morrisons Sula und Paradise
Unruly Narrative : Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
The story of jazz : Toni Morrison's dialogic imagination
Paradise reconsidered : Toni Morrison's (hi)stories and truths
Discredited knowledge : Magie, Mythos und Toni Morrisons "Song of Solomon"
Unruly Narrative : Private Property, Self-Making, and Toni Morrison’s ›A Mercy‹
Black looks and black acts : the language of Toni Morrison in The bluest eye and Beloved
Solomons Lied
Teerbaby
The bluest eye