Qui chante? The Lyric’s Voice as Impersonation

Abstract: Starting from the imperative to not just read, but to speak lyric poems out loud, this paper considers ways in which poems change depending on who utters them. Beyond the familiar distinction between the poem's author and the lyrical “I” — the voice in which the poet chooses to utter the poem — any performer who speaks a poem also impersonates the text. Reading is the first act of interpretation; others follow. Sound is an indispensable constitutive aspect of the lyric poem, too often neglected. Each reading of a poem can turn into a momentary ec-stasis. https://izfk.uni-trier.de/index.php/izfk/article/view/55

Object Details

• Location: Deutsche Nationalbibliothek Frankfurt am Main
• Extent: Online-Ressource
• Language: Englisch

References and Relationships

• Bibliographic citation: Qui chante? The Lyric’s Voice as Impersonation ; volume:2 ; day:26 ; month:04 ; year:2021 ; Internationale Zeitschrift für Kulturkomparatistik ; 2 (26.04.2021)

Contributors, Places and Time

• Creator: Austenfeld, Thomas

Further information

• DOI: 10.25353/ubtr-izfk-ce7d-f942
• URN: urn:nbn:de:101:1-2021043013324162031265
• Rights: Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
• Last update: 14.08.2025, 10:54 AM CEST