The Birth of the Tourist out of the Spirit of Modernity: The travel bug from Marlowe's Doctor Faustus to Houellebecq's Platform

Abstract: Zygmunt Bauman once proposed 'the tourist' as one of the four archetypal characters of the postmodern. This suggests more than a coincidental link between postmodernity and the rise of mass tourism. Modernity itself has, of course, long been associated with increasing ease and speed of travel. This piece reviews some of the theoretical and literary reflections on the relation between the rise of leisure travel and the transformation of the sense of space from modernity to postmodernity, or even what Augé called 'super-modernity'. Towards the end of the piece there is a discussion of Michel Houellebecq's novel, Platform (2001), a provocative take on long-haul sex tourism and the global tourism business around the year 2000. Houellebecq's novel is read alongside Daniel Defoe's classic tale of travel, adventure and business, Robinson Crusoe (1719). These two novels - one a classic of early modernity, the other of postmodernity - are discussed here in the context of a long history of r

Standort
Deutsche Nationalbibliothek Frankfurt am Main
Umfang
Online-Ressource
Sprache
Englisch
Anmerkungen
Veröffentlichungsversion
begutachtet (peer reviewed)
In: Studies in Arts and Humanities ; 4 (2018) 1 ; 40-52

Ereignis
Veröffentlichung
(wo)
Mannheim
(wer)
SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V.
(wann)
2018
Urheber
Kane, Michael

DOI
10.18193/sah.v4i1.124
URN
urn:nbn:de:101:1-2022090115255522091179
Rechteinformation
Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
Letzte Aktualisierung
15.08.2025, 07:31 MESZ

Datenpartner

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Beteiligte

  • Kane, Michael
  • SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V.

Entstanden

  • 2018

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