Konferenzbeitrag

Eine Schumann-Werkstatt? Zur Übertragbarkeit der Methoden vom Projekt »Beethovens Werkstatt« auf andere Komponisten

The research project “Beethovens Werkstatt” is intended as a contribution to basic musicological research. Methods, concepts and digital components developed in this project using the example of Beethoven are meant to be transferable to other composers. In my paper, I choose Robert Schumann as an example to test this transferability. Concepts that were developed in the course of the first module of “Beethovens Werkstatt” aim at the reconstruction and digital representation of genetic variants. They are based on research on the composer’s work processes. Fundamental aspects of this research include, for example, the temporality of the writing process; the composer’s self-critical dialogue with what he has already written; the work routines that may lie behind it (can certain compositional strategies be derived from them?). These questions are not only specific to Beethoven. They can generally be asked in connection with other composers. However, a prerequisite for an insightful research is a good record of handwritten texts and manuscripts. Due to the rich source material and Schumann’s habit of documenting many details in his diaries and working manuscripts, a text-genetic and digital analysis of his working methods is particularly suitable.

Verwandtes Objekt und Literatur
10.25366/2020.42
urn:nbn:de:bsz:14-qucosa2-725481
qucosa:72548

Thema
Musik
Robert Schumann
Klaviertrio op. 63
Phantasiestücke op. 88
genetische Textkritik
digitale Musikedition
Kompositionsstrategien
Beethovens Werkstatt
Alluvial Diagrams

Ereignis
Geistige Schöpfung
(wer)
Novara, Elisa
Ereignis
Herstellung
(wer)
Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

URN
urn:nbn:de:bsz:14-qucosa2-725877
Letzte Aktualisierung
14.03.2025, 08:16 MEZ

Datenpartner

Dieses Objekt wird bereitgestellt von:
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Objekttyp

  • Konferenzbeitrag

Beteiligte

  • Novara, Elisa
  • Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold

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