The Morning

Druckgraphik

Object Details

• Location: Herzog Anton Ulrich-Museum, Braunschweig
• Inventory number: FVivares AB 2.3
• Measurements: Höhe: 467 mm (Platte) ; Breite: 601 mm ; Höhe: 507 mm (Blatt) ; Breite: 639 mm
• Material/Technique: Radierung
• Inscription/Labeling: Inschrift: F. Vivares Sculp: [Stecher]; Jos: Goupy Delineavit.[Zeichner]; The Morning. This Print is done after a most CAPITAL PICTURE of CLAUDE LORAIN in which he introduces himself as drawing this VIEW of an antique Temple on the Bank of the TYBER between the Ponte Mola and ROME. In the Collection of his ROYAL HIGHNESS the PRINCE of WALES.

References and Relationships

• Related object and literature: beschrieben in: Nagler Künstlerlexikon 1835-1852, S. XX.440.7

Classification and Topics

• Classification: Druckgraphik (Gattung)
• Subject (what): Allegorie ; Architektur ; Kind ; Landschaft ; Maler ; Mann ; Ruine ; Säule ; See ; Tempel ; Ziege ; Tageszeit ; Antike ; Sonnenschirm ; Morgen ; Rom, Ponte Molle / Ponte Mollo / Ponte Milvio
• Subject (where): Roma; Rom; Rome

Contributors, Places and Time

• Culture: Englisch
• Event: Herstellung
• (who): Vivarès, François (Stecher) ; Lorrain, Claude (Inventor) ; Goupy, Joseph (Zeichner)
• (when): 1728-1780

Further information

• Last update: 11.04.2025, 1:31 PM CEST