Dorothea Rust: Floating Gaps. Affektive Politiken von Performance-Kunst zwischen Erinnerung und Ereignis

Abstract: Dorothea Rust: Floating Gaps. Affective politics of performance art between recall and happening Performance art today takes place on an ambiguous site: close to everyday life, yet relying on a range of predecessors, it should be aware of recalling existing bodies and images and of anticipated forms of acting. Not simply reminiscent, performance art may also offer opportunities for actualizing and shifting these images. This essay examines how these processes of iteration could give way to alternative performance histories written by performance. It contextualizes this idea with reference to reflections on an aesthetics of affect that maintains a certain sense of reflection. The example discussed is Floating Gaps (2012) by the Swiss choreographer and artist Dorothea Rust, who approaches performance as a “historiographic tool” and as a means of figurative citation and “practical theory.”. https://www.fkw-journal.de/index.php/fkw/article/view/1274

Angaben zum Objekt

• Standort: Deutsche Nationalbibliothek Frankfurt am Main
• Umfang: Online-Ressource
• Sprache: Deutsch

Verweise und Beziehungen

• Erschienen in: Dorothea Rust: Floating Gaps. Affektive Politiken von Performance-Kunst zwischen Erinnerung und Ereignis ; number:55 ; day:26 ; month:02 ; year:2014 ; FKW ; Heft 55 (26.02.2014)

Beteiligte, Orts- und Zeitangaben

• Urheber: Settele, Bernadett

Weitere Informationen

• DOI: 10.57871/fkw5520141274
• URN: urn:nbn:de:101:1-2021031811341873108932
• Rechteinformation: Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
• Letzte Aktualisierung: 15.08.2025, 07:20 MESZ