Konferenzbeitrag
Two Central Places: Paris and the French Court in the Early Fourteenth Century
Dokument enthält auch die nachfolgende Diskussion.
- Related object and literature
-
3-7618-0592-6
urn:nbn:de:bsz:14-qucosa2-377902
qucosa:37790
- Subject
-
Musik
- URN
-
urn:nbn:de:bsz:14-qucosa2-378206
- Last update
-
14.03.2025, 8:16 AM CET
Data provider
This object is provided by:
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden. If you have any questions about the object, please contact the data provider.
Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden. If you have any questions about the object, please contact the data provider.
Object type
- Konferenzbeitrag
Associated
- Gushee, Lawrence
- Bärenreiter Verlag
Other Objects (12)
Literary Intertextualities in 14th-Century French Song
The Ecology of 19th-Century Opera
The musical landscape of Scotland in the nineteenth century
”Theodora” and the 18th Century Feminist Movement
The Development of Twentieth-Century Irish Art-Music
Toward an Understanding of the Eighteenth-Century Lied
The Value Orientation of 20th-Century Georgian Music
The English Operetta and the Musical Comedy as a Reflection of the Russian Anglomania at the End of the 19th Century
Inaugurators of Bach's French Style The ”Vingt-quatre violons du Roi” and their Contemporaries
»A French Music of France«
Servants, Mistresses and the Fortunes of their Families: Influence and Intertextuality in the Fifteenth-Century Song
»Thou Shalt Learn These Things«. American Musicians’ Education and Dual Consciousness in the Early 20th Century
Literary Intertextualities in 14th-Century French Song
The Ecology of 19th-Century Opera
The musical landscape of Scotland in the nineteenth century
”Theodora” and the 18th Century Feminist Movement
The Development of Twentieth-Century Irish Art-Music
Toward an Understanding of the Eighteenth-Century Lied
The Value Orientation of 20th-Century Georgian Music
The English Operetta and the Musical Comedy as a Reflection of the Russian Anglomania at the End of the 19th Century
Inaugurators of Bach's French Style The ”Vingt-quatre violons du Roi” and their Contemporaries
»A French Music of France«
Servants, Mistresses and the Fortunes of their Families: Influence and Intertextuality in the Fifteenth-Century Song
»Thou Shalt Learn These Things«. American Musicians’ Education and Dual Consciousness in the Early 20th Century
Literary Intertextualities in 14th-Century French Song
The Ecology of 19th-Century Opera
The musical landscape of Scotland in the nineteenth century
”Theodora” and the 18th Century Feminist Movement
The Development of Twentieth-Century Irish Art-Music
Toward an Understanding of the Eighteenth-Century Lied
The Value Orientation of 20th-Century Georgian Music
The English Operetta and the Musical Comedy as a Reflection of the Russian Anglomania at the End of the 19th Century
Inaugurators of Bach's French Style The ”Vingt-quatre violons du Roi” and their Contemporaries
»A French Music of France«
Servants, Mistresses and the Fortunes of their Families: Influence and Intertextuality in the Fifteenth-Century Song