The Place of the Pop Song in Academic Audiovisual Film and Television Criticism
- Standort
-
Deutsche Nationalbibliothek Frankfurt am Main
- ISSN
-
2213-0217
- Umfang
-
Online-Ressource
- Sprache
-
Englisch
- Erschienen in
-
In: NECSUS_European Journal of Media Studies. #Rumors, Jg. 11 (2022), Nr. 1, S. 309–314.
- Klassifikation
-
Musik
- Ereignis
-
Veröffentlichung
- (wo)
-
Marburg
- (wer)
-
Philipps-Universität Marburg
- (wann)
-
2022
- Ereignis
-
Veröffentlichung
- (wer)
-
NECS
- (wann)
-
2022
- Urheber
-
Garwood, Ian
- DOI
-
10.25969/mediarep/18824
- URN
-
urn:nbn:de:101:1-2023092002173062842563
- Rechteinformation
-
Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Letzte Aktualisierung
-
14.08.2025, 10:52 MESZ
Datenpartner
Dieses Objekt wird bereitgestellt von:
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Beteiligte
- Garwood, Ian
- Philipps-Universität Marburg
- NECS
Entstanden
- 2022
Ähnliche Objekte (12)
Sound and the audiovisual essay, part 2: The theory, history, and practice of film sound and music in videographic criticism
Video essay, videographic criticism, polymedial essayism, polymodal essayism
Anonymous, QAnon, Tik-tok teens, K-pop fans
Archiving Europe: Unveiling the visual world through stock shots in French television (2001-2021)
“I say! Neither a Whore nor a Saint”: Transgender memory, Spanish popular television, and media histories in Veneno
Editorial NECSUS
Close Circuit
Surveillance, resistance, and the politics of love: On Yorgos Lanthimos’ The Lobster
The two sides of VR utopia
On Distant Viewing
Mirror, mirror on the wall: AKS International Minorities Festival Pakistan 2021
Vintage furniture: The significance of the casting couch as industry gossip and rumor
Sound and the audiovisual essay, part 2: The theory, history, and practice of film sound and music in videographic criticism
Video essay, videographic criticism, polymedial essayism, polymodal essayism
Anonymous, QAnon, Tik-tok teens, K-pop fans
Archiving Europe: Unveiling the visual world through stock shots in French television (2001-2021)
“I say! Neither a Whore nor a Saint”: Transgender memory, Spanish popular television, and media histories in Veneno
Editorial NECSUS
Close Circuit
Surveillance, resistance, and the politics of love: On Yorgos Lanthimos’ The Lobster
The two sides of VR utopia
On Distant Viewing
Mirror, mirror on the wall: AKS International Minorities Festival Pakistan 2021
Vintage furniture: The significance of the casting couch as industry gossip and rumor
Sound and the audiovisual essay, part 2: The theory, history, and practice of film sound and music in videographic criticism
Video essay, videographic criticism, polymedial essayism, polymodal essayism
Anonymous, QAnon, Tik-tok teens, K-pop fans
Archiving Europe: Unveiling the visual world through stock shots in French television (2001-2021)
“I say! Neither a Whore nor a Saint”: Transgender memory, Spanish popular television, and media histories in Veneno
Editorial NECSUS
Close Circuit
Surveillance, resistance, and the politics of love: On Yorgos Lanthimos’ The Lobster
The two sides of VR utopia
On Distant Viewing
Mirror, mirror on the wall: AKS International Minorities Festival Pakistan 2021