Tracks from the Crypt
Abstract: David Bowie's 2015 'Blackstar' has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on "Lazarus" in the context of a meditation on the question once posed by Georg Stanitzek, "Was ist Kommunikation?" I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain's "what we have here is … failure to communicate" from 'Cool Hand Luke') I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether "Lazarus" in particular isn’t the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it "saying" farewell? Is it "saying" anything? By drawing
- Standort
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Deutsche Nationalbibliothek Frankfurt am Main
- ISBN
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9783957960030
- Umfang
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Online-Ressource, 48 S.
- Sprache
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Englisch
- Anmerkungen
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Veröffentlichungsversion
begutachtet (peer reviewed)
- Klassifikation
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Öffentliche Darbietungen, Film, Rundfunk
- Ereignis
-
Veröffentlichung
- (wo)
-
Lüneburg
- (wer)
-
meson press
- (wann)
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2019
- Ereignis
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Veröffentlichung
- (wo)
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Mannheim
- (wer)
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SSOAR - Social Science Open Access Repository
- (wann)
-
2019
- Urheber
- DOI
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10.14619/0030
- URN
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urn:nbn:de:101:1-2020082808110142805562
- Rechteinformation
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Open Access; Open Access; Der Zugriff auf das Objekt ist unbeschränkt möglich.
- Letzte Aktualisierung
-
14.08.2025, 11:00 MESZ
Datenpartner
Deutsche Nationalbibliothek. Bei Fragen zum Objekt wenden Sie sich bitte an den Datenpartner.
Beteiligte
- Mowitt, John
- meson press
- SSOAR - Social Science Open Access Repository
Entstanden
- 2019
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