Purchase, Pirate, Publicize: Private-Network Music Sharing and Market Album Sales

Arbeitspapier

I quantify the effects of private-network music sharing on aggregate album sales in the BitTorrent era using a panel of US sales and private-network downloads for 2,109 albums during 2008. Exogenous shocks to the network's sharing constraints address the simultaneity problem. In theory, private-network activity could crowd out sales by building aggregate file sharing capacity or increase sales through word of mouth. I find evidence that private-network sharing results in decreased album sales for top-tier artists, though the economic impact is quite modest. However, private-network activity seems to help mid-tier artists. The results are consistent with claims that word of mouth is stronger for lesser-known artists and that digital sales are more vulnerable to increases in file sharing capacity. I discuss policy implications and alternatives to costly legal efforts to shut down private file sharing networks.

Object Details

• Language: Englisch

References and Relationships

• Bibliographic citation: Series: Queen's Economics Department Working Paper ; No. 1354

Classification and Topics

• Classification: Wirtschaft ; Entertainment; Media ; Information and Internet Services; Computer Software ; Intellectual Property and Intellectual Capital
• Subject: intellectual property ; copyright ; file sharing ; piracy ; digital music

Contributors, Places and Time

• Event: Geistige Schöpfung
• (who): Lee, Jonathan
• Event: Veröffentlichung
• (who): Queen's University, Department of Economics
• (where): Kingston (Ontario)
• (when): 2018

Further information

• Handle: http://hdl.handle.net/10419/188888
• Last update: 10.03.2025, 11:44 AM CET